Luz En Oscuridad

My friend's son has been experimenting with music and composing for some time now, and I pointed him the the direction of the tools that I use, and he is quite proficient. At one point in 2007, he sent me this short piece, a single instrument arpeggiated instrumental at about two and a half minutes, and I thought it was just great. He had programmed it rather than played it and using only mouse-induced note placement, and I immediately started hearing other parts around it. He basically said do whatever you want with it, so I proceeded to do so.

I thought the instrument he used, which was basically a harpsichord patch, along with the arrangement of notes sounded very baroque, so I thought what would it be like to throw a hard beat behind it? So it became this hard trance kind of thing that I added pads, saw wave hits and a deep bassline to, changed the harpsi to a piano, and we both loved it. At the time, I had already released Glory as a bundle, so I did a few alternate versions and this became a standalone single bundle, with Kaleigh's Song as the last track.

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VERSIONS

• Luz En Oscuridad (6:29)
  written by Perpetual Emotion Machine and AGW. produced and arranged by Perpetual Emotion Machine.
  The original full length version of the track.
  
  
• Luz En Oscuridad (Baroque) (2:08)
  written by Perpetual Emotion Machine and AGW. produced and arranged by Perpetual Emotion Machine.
  No percussion, only piano and pads.
  
  
• Luz En Oscuridad (Beat) (6:04)
  written by Perpetual Emotion Machine and AGW. produced and arranged by Perpetual Emotion Machine.
  Everything but the piano.
  
  
• Luz En Oscuridad (Broke) (8:38)
  written by Perpetual Emotion Machine and AGW. produced and arranged by Perpetual Emotion Machine. Remixed by The Immaculate Contraption (OCIII)
  A slightly slowed down remix with a different take on the melody.
  
  
• Luz En Oscuridad (Edit) (4:26)
  written by Perpetual Emotion Machine and AGW. produced and arranged by Perpetual Emotion Machine.
  The first two minutes are cut off of this edit, and it starts where the piano part begins in the full length mix. Was used for self-promotion at the time.